Monday, March 19, 2:00pm, UNC Charlotte main campus, Student Union Theater, studentunion.uncc.edu
Claude Barras, France, Switzerland, 2016 / 68 min.
French with English subtitles
Presented as part of The Tournées Festival, made possible with the support of the Cultural Services of the French Embassy in the U.S., the Centre National du Cinéma et de l’Image Animée (CNC), the French American Cultural Fund, Florence Gould Foundation and Highbrow Entertainment.
Additional sponsors are the Alliance Française de Charlotte and the UNC Charlotte French Club.
Introduction by Jane Houston, Instructor of French, UNC Charlotte. Discussion will follow screening.
Though bravely realistic, Swiss director Claude Barras’s charming stopmotion animated film is an unexpectedly uplifting look at childhood tragedy. After his alcoholic mother’s death, nine-year-old Icare—known to his friends as Zucchini—is placed in a group home where he soon forms alliances and rivalries with a group of kids in equally difficult circumstances, including the son of drug addicts and the daughter of a deported refugee. But it takes the arrival of the recently orphaned Camille for Zuchini to know he has found a friend for life. Which means that when Camille’s nasty aunt appears to take her away, the kids band together to find a way to keep her at the home. Though Barras and screenwriter Céline Sciamma (a powerhouse of contemporary French cinema as the writer/director of international hit Girlhood) never pull punches in describing the challenges faced by their characters, My Life as a Zucchini is imbued with a real-life sense of childhood wonder, both through its inventive animation and its commitment to exclusively telling the story from the children’s perspective. The result is a marvelously nuanced, finely crafted depiction of childhood, as appealing to young people as adults. Following a triumphant premiere at the Director’s Fortnight at the Cannes Film Festival,
My Life as a Zucchini wooed general audiences in France with its idiosyncratic style and bold treatment of its subject. It was nominated for a 2017 Academy Award for Best Animated Feature.
